Gamedev

Development Diary #4 – On Level Design in a 2d Game

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One of the greatest challenges developing Cally’s Caves 2 is how to go about designing 100 levels while keeping the game fresh.  Cally’s Caves had 27 levels, not including boss rooms or the challenge “subrooms.”  At the time, it seemed like a good idea to differentiate each level by the use of music, tile sets, and area names.  Every time you entered a new level, a new song would start playing, and every five levels the environment sprites would change.  While this worked to a certain degree, a large number of players played the first few levels and then gave up (either out of frustration at the difficulty, or just not enjoying the game).  This unfortunately led to a number of the levels and environment sets never being seen.  In retrospect, we may have been better off if we had changed the tile set every level and just rotated the four sets that we had.  Hindsight is 20/20, and having that hindsight doesn’t affect the product we already released.  It does, however, allow us to approach a sequel with the lessons we learned in mind.  Hopefully, using the lessons we learned, we can make the levels in Cally Caves 2 do a lot more for the player.

 

Level 3 of Cally's Caves
Level 3 of Cally’s Caves

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Development Diary #3: Music Beginnings

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I started working on the music for our second game before we knew we would be making a sequel to Cally’s Caves.  This is mostly due to the fact that I’ve always been into making music using Propellerheads’ Reason software, as well as playing guitar and piano in my spare time.  In the lull between games, I knew I could be productive by just making some songs and experimenting with different sounds and chord progression ideas.  I was proud of the music from Cally’s Caves and wanted to continue to make tracks since I find it very creatively satisfying, even if my ears are the only ones hearing it.

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The general feel of the soundtrack in Cally’s Caves was not exactly coherent, it was a melange of upbeat, hyper tracks, and ambient, atmospheric ones.  I liked the way the music evoked different moods in the different levels, but I know I can do better this time around, and give the soundtrack more of a coherent feel.  That being said, my musical process remains the same, and it always begins with a guitar or piano.

(note – this diary links to my soundcloud for the tracks I’m writing about, since WordPress doesn’t like audio files)

https://soundcloud.com/jordan-pearson-10/cally-2-lloyds-theme

“Lloyd’s Theme” was one of the first tracks I composed for Cally 2, and I came up with the idea while noodling on my guitar.  I eventually came up with the verse and chorus riffs, which are incredibly simple (and not very well-played in the recording).  Lloyd is a character that helps Cally learn the systems of the game, and appears at many different points throughout Cally 2.  He’s always sitting there, playing guitar, and I wanted a guitar-based theme to play every time he shows up, so the player hears it and knows a tutorial is sure to follow, a Pavlov’s dog kind of situation.  After recording the acoustic bits, I fed them into reason, sequenced them, and created a simple drumbeat, bassline, and synth melody to round out the track.  It’s very simple, but that’s the feel I was going for, and I hope that it will come across like Lloyd is playing the guitar in the final product. Continue reading →

Development Diary #2: Art Style

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The art in Cally’s Caves was done entirely by my good friend Dave in an open-source pixel art editor called Aseprite.  Well we were very happy with the art as a first effort – Dave taught himself how to do it in just a few short months – there’s always room for improvement, and some of our reviews commented on the art in a not-so-positive way.  I know that with Cally 2 it is incredibly important to have the art be amazing, and comparable to the best art on any iOS game, in order to have the best chance at success.  Things evolved naturally when Dave moved to a different city and let me know that he probably wouldn’t have enough time to do the art on another game (he will be staying on in a design/level editor capacity).

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I posted on the TIGsource forums about looking for a pixel artist for Cally’s Caves 2, linking the first game and hoping and praying someone would answer and want to collaborate with me on the game.  Enter Pablo, an artist who emailed me asking if the position was open and sending me a portfolio of some of his work.  I instantly jumped at the opportunity, recognizing his work as exactly what I was looking for.  The first actual work he sent me for Cally’s Caves 2 was this promo image, which you may have seen before on this blog:

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Development Diary #1: Making a Sequel

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I’ve decided to write a weekly development diary about the process of making Cally’s Caves 2.  I’m doing it mostly as a design tool to help me reflect upon decisions I’ve made while designing the game, with the hope that it will help me think about the ideas from another perspective and help me create the best game I possibly can.  So it’s a personal tool, but if you read it and enjoy it, it certainly can’t hurt!  To begin, here’s a bit of background:

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In June 2013, having quit my day job, I decided to try and make a video game with my good friend Dave.  The main barrier we faced in this venture was that neither of us had any experience in game design.  Sure, I had programmed some little bits of software on my Commodore 64 as a kid, but nothing resembling a full game, and that was 20 years ago.  Inspired by the likes of Tom Francis and Steve Gaynor, who both made amazing independent games (Gaynor had experience but left a big company to make a solo game, and Francis had no experience but kept his day job and learned how to do it at night), I enlisted Dave and we set out on the path.  By October we had finished Cally’s Caves, and released it on the iOS Appstore.  There’s no need to get into the thought process behind the design decisions we made here, but since its release we’ve had 7000 downloads and although we didn’t make any money, it was a personal success for us both – we proved to ourselves that we could ship a game.

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